Understanding the True Nature of War: Dr. James Clifton’s Lecture Mediated War

Wartime artwork allows us to experience certain aspects of battle and its aftermath and yet to also be distanced from it: When viewing the artwork, we get a small visual window into the carnage and devastation of war, but we are spared the affronts to our other senses. This concept was present in Dr. James Clifton’s lecture, Meditated War. Dr. Clifton, the director of the Sarah Cambell Blaffer Foundation at the Museum of Fine Arts, Houston, coordinated with Gettysburg College to loan the collection of European war prints for the exhibit, The Plains of Mars. The exhibition is currently on display at Schmucker Art Gallery and will remain so until December 7th. The pieces are comprised of wartime images from 1500 through 1825 and depict battles, individual soldiers, and civilians. Dr. Clifton’s lecture focused primarily on what one can learn from wartime art, specifically war prints, but also what they lack. [excerpt

Video Recording of Seated Shot-Putters During World-Class Events

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Contesting Accusations of ‘Foreign Interference’: New Agendas for Australian Civil Society

In 2017 the Australian Government announced a raft of measures designed to combat ‘foreign interference’ in the Australian political system. The measures propose new constraints on civil society advocacy and threaten to seriously curtail democratic rights. They form part of global trend towards the increased regulation of International Non-Government Organisations (INGOs), driven by fears of ‘foreign’ political influence. In response to the shrinking ‘civic space’, NGOs are defining new agendas. Recently in Australia and elsewhere NGO advocates have gained some traction in extending the legitimacy and scope for political advocacy. The new rhetoric of countering ‘foreign interference’ threatens NGO advocacy, but also creates new political possibilities. This article surveys the international trends and Australian contexts; it analyses recent legislative proposals in Australia to combat ‘foreign interference’, and outlines the public debate. The double standard for INGOs and multinational corporations is highlighted as a key theme, and the article ends with a concluding discussion about emerging possibilities for new political obligations for corporations in Australi

A Common Theme - Ethical Practice

DOI: http://dx.doi.org/10.5130/ccs.v6i1.392

Editorial Welcome: Special Issue on Ethnocracy

This Special Issue of Cosmopolitan Civil Societies Journal focuses on the domination of social and political relations by Ethnocracy – rule or would-be rule by an ethnic group or ethnos, as distinct from Democracy or rule by the demos of all the people. Ethnocracy encompasses state regimes and associated political movements and parties that discriminate systematically in favour of a particular ethnic group (or groups) and against others. When we proposed the Special Issue in late 2014 ethnocratic practices were as prevalent as they had ever been; and now two years later they appear to be on the increase with an ethno-populist upsurge and the election or threatened election of governments pursuing ethnocratic agendas. From India to the USA, from Russia to Hungary, leading politicians openly discriminate against ethnic ‘others’ to attract support from ‘their own’ ethnic groups; across the European Union and in other liberal democracies they increasingly scapegoat ‘immigrants’ to hide their own inadequacies and further their political objectives. Now, more than ever, it is critical that the dynamics of ethnocracy are more clearly understood. This Issue documents the logics of ethnocracy in a variety of different contexts, posing questions about how it develops and how it can be challenged

Sailor\u27s Delight

I was taking photos for a creative assignment in my first photography class. We needed to take the pictures at sunrise and sunset. After taking some sunrise photos, I drove to a nearby marina at Lake Lewisville to scout some good shots. Later that same day, I saw a forecast for rain and storms. A few dozen people were nearby either having a picnic, fishing, boating, or getting in one last swim before the cold weather. I had already done many pictures, and felt I\u27d need to leave soon. I saw dark clouds and lighting in the east, followed by a loud rumble of thunder. As I turned from the sunset, the marina shop presented this reflection - a chance that I never planned or anticipated; but couldn\u27t pass up. When going over my photos for this assignment, the best ones were of this window shot

Making Photographs Speak

It has often been said that “a picture is worth a thousand words.” Making that picture spit out those mythical thousand words, as we can all attest, is no easy task. Over the course of the first half of the fall semester, the three of us were tasked with developing brief interpretive captions for two Civil War photographs each, with the end goal to display our work at the Civil War Institute’s 2019 Summer Conference. What initially appeared as a simple project quickly revealed itself to be a difficult, yet rewarding, challenge that taught us all important lessons concerning history, photography, and writing that we will not soon forget. Producing the photography exhibit enhanced our skills as historical writers, introduced us to the challenge of writing for a popular audience, and deepened our understanding of Civil War photography. [excerpt